Editors: Erika Wright and Ilan Goodman
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Part of the beauty of this film is where Jarmusch leaves each story. He's rarely been one for buttoned-up conclusions. And here, he essentially offers not even a day, but a few hours in the lives of people bound by blood, and — what else? We get a window into their lives, and a glimpse of how they see each other. Then, their story moves on without us. Where will they go? What will they experience? It's a mystery the movie won't dwell on, but we can.